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Question 14·200 Super-Hard SAT Reading Questions·Craft and Structure

Text 1

Art historian Leila Okafor studies atlases printed by Hendrik Vos in the 1580s. In several surviving copies, handwritten coastlines and place-names cluster in broad, undecorated spaces on the maps. An advertisement for the atlases describes them as “a work each voyager may perfect.” Okafor concludes that Vos intentionally left areas blank so purchasers could complete the maps with geographic knowledge acquired during their travels.

Text 2

Book historian Tomas Varga traced the ink and ownership histories of the copies Okafor examined. He determined that most of the handwritten additions were made around 1820 by a single collector who had acquired several of the atlases, not by their original purchasers. Varga also notes that in sixteenth-century advertisements, saying that a work “may be perfected” often promised correction in a later edition rather than inviting customers to write in it. However, comparisons among editions show that Vos repeatedly removed decorative ships when new geographic details left less open space, suggesting that preserving some unfilled space mattered to the maps' layout. According to Varga, this design choice does not reveal what activity, if any, Vos expected to occur in those spaces.

Based on the texts, how would Varga most likely evaluate Okafor's conclusion?