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Question 27·200 Super-Hard SAT Reading Questions·Craft and Structure

Film critics have often interpreted the doorways in Leila Anwar’s films as fixed symbols of emotional isolation. In “Winter Rooms,” for example, static framing leaves the protagonist at the edge of the image while an empty doorway dominates its center. In “Harbor Signal,” however, Anwar places two estranged sisters on opposite sides of a doorway and has the camera cross the threshold while the sisters remain still. At the end of the shot, both sisters are where they began, and neither has addressed the other. A critic attending only to their positions could therefore interpret the scene as another instance of the pattern in “Winter Rooms.” Doing so, though, would leave the camera’s path unexplained: the sequence grants passage across the boundary to the image even as it withholds that passage from the characters.

Which choice best describes the function of the underlined sentence in the text as a whole?