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Question 140·200 Super-Hard SAT Reading Questions·Craft and Structure

Film scholar Nia Calder observes that director Lena Vos retains eyeline matches and shot-reverse-shot patterns, devices that ordinarily let viewers infer spatial relations across cuts. Vos, however, postpones each scene’s establishing shot. Viewers can therefore track who looks at or responds to whom while remaining uncertain whether an offscreen glance crosses a room or merely a table; only a later wide view settles such questions. Calder notes that no individual cut violates familiar continuity principles, yet the cuts collectively make those principles sustain tentative local inferences instead of immediately confirming a stable overall layout. Calder describes Vos’s method not as a rejection of continuity editing but as a ______ of it.

Which choice completes the text with the most logical and precise word or phrase?