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Question 75·Hard·Central Ideas and Details

Sculptor Leona Mbeki makes bronze wall pieces by taking molds from woven reed mats. Because several source mats come from a regional weaving tradition now practiced by few artisans, commentators have described the sculptures as acts of preservation. Mbeki, however, complicates that account. She asks collaborating weavers to select mats worn unevenly through ordinary use, then fixes every frayed edge and compressed strand in metal. Mounted slightly away from the wall, the bronze lattices cast shadows that sharpen, blur, and migrate as daylight changes. The marks of use are therefore not presented as a stable record detached from the present: they help generate an image that continually changes. Without denying the sculptures’ connection to inherited craft, Mbeki treats that connection as material for examining how permanence can contain evidence of change.

Which choice best describes how the worn mats function in Mbeki’s sculptures?