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Question 62·Medium·Central Ideas and Details

The following text is adapted from marine biologist Clara Jensen’s 1924 field journal. In this entry, she records her observations while studying tide pools along the coast at dawn.

The pools have shrunk with the retreating tide, becoming glassy pockets that cradle entire microcosms. I crouch beside one no larger than a serving bowl and watch anemones furl their tentacles like closing fists, safeguarding the nutrients they gathered overnight. Tiny crabs scuttle beneath ribbons of sea lettuce, vanishing the instant my shadow crosses their world. What strikes me most is not the novelty of each creature but the choreography they perform together: the anemone’s discarded waste feeds the algae, the algae’s oxygen nourishes the hermit crab, and the crab’s constant foraging keeps the pool clear of debris. In this confined basin, life is orchestrated with an elegance that rivals any grand ocean vista. I had come expecting to catalogue species; instead, I find myself cataloguing relationships, the invisible threads that bind one life to the next.

Which choice best states the main idea of the text?