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Question 12·Hard·Central Ideas and Details

The passage below is from a contemporary short story.

Clara watched the platform recede until it became a thin gray line, a penciled boundary between the life she knew and the blank page ahead. The train lurched, turning the town’s steeple into a wavering needle that stitched the sky to the hills and then broke the thread. She expected relief; instead she felt something closer to amputation. Every memory of her father—watering the rosemary bush at dawn, sanding a wobbling table leg, whistling a tune that never quite resolved—seemed soldered to the coordinates of that station. As the wheels hammered out kilometers, the recollections shuddered, grew faint, threatened to scatter.

She pressed her forehead to the window, trying to pin each scene in place, but the landscape slid past like an unspooling film stripped of its soundtrack. Clara understood, with a twinge of panic, that departure was more than movement through space; it was an assault on the architecture of remembering. Without familiar walls to echo against, her past might dissipate like breath on glass.

Which choice best states the main idea of the passage?