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Question 63·Hard·Text Structure and Purpose

Visitors to the Longridge Gallery were surprised when the museum rehung its European collection not by century but by motif—"storm," "harvest," "threshold." A Baroque seascape now shares a wall with a twentieth-century photograph of a pier, inviting viewers to compare how artists stage the feeling of crossing. Critics worry that collapsing chronology blurs historical specificity. Yet the curatorial notes do not dismiss context: brief timelines accompany each cluster, and labels pose questions about material and mood. The rehang is less an attempt to rewrite history than to foreground the interpretive choices that any arrangement makes.

Which choice best states the main purpose of the text?